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    Friday, May 17th, 2013
    dieselsweet 1:48p
    Shameful Pun Sale

    http://store.dieselsweeties.com/collections/socks

    I just made a pun so bad that I am feeling human guilt for the first time.

    All socks in my store are $4.99 until midnight tonight because the pun was THAT bad.

    pixel socks

    Thursday, May 16th, 2013
    dieselsweet 11:27p
    Wednesday, May 15th, 2013
    dieselsweet 11:58p
    dieselsweet 12:24p
    Bacon Extensions

    http://store.dieselsweeties.com/collections/t-shirts

    Just FYI- Baconcoin and NSFW shirts are sticking around until Friday. I'm still ordering and shipping like normal.

    Some of the Science Gangsters and NSFW shirts came in already. More are on the way soon!

    warren ellis shirts

    not unemployed, NSFW shirt

    Tuesday, May 14th, 2013
    dieselsweet 11:14p
    Liquid Perspective

    http://www.dieselsweeties.com/archive/3326

    the world's most dangerous kitten

    Tonight’s comic shows you just how well I understand beer.

    Monday, May 13th, 2013
    dieselsweet 11:45p
    Yeast Common Denominator

    http://www.dieselsweeties.com/archive/3325

    the world's most dangerous kitten

    Pretty happy with the acting in tonight’s comic. G’night, my chums and buckaroos.

    Tuesday, May 14th, 2013
    hereville
    4:29a
    Over a hundred thousand sign petition against Disney’s Merida Makeover

    Originally published at hereville.com. Please leave any comments there.

    To celebrate Merida of the Pixar film Brave “officially” joining the Disney Princess line, Disney released some new illustrations of her. In the new illustrations, Merida is even thinner than her already-thin movie version (as Alyssa put it, “what appears to be rib-removal surgery”); her dress has been redesigned into an off-the-shoulder number; she has much thicker eyelashes (and in general, her face seems much more stereotypically feminine); her hair has been changed from out-of-control curls to waves; and her attitude is much, well, flirtier.

    I’m not sure that Disney’s Merida makeover represents a conscious strategy on their part. At the, er, official coronation ceremony at Disneyworld, Merida’s appearance seemed modeled on the movie version, not on the new illustrations. (See this photo, for instance – note the covered shoulders, and curly wig.) Nor did Disney seem to shy away from Merida’s tomboy aspects – she made her entrance on horseback, and finished the ceremony by posing with her bow and arrow.

    But because it (probably) wasn’t conscious doesn’t mean that it’s not bad. It suggests that Disney subconsciously and reflexively turns their female characters into the same dull and predictable flirty, glittery pin-ups without any thought even being required. (Ever notice how impossible it is to find any Mulan merchandise showing her dressed up for war?)

    Put another way, for the folks in Disney marketing, the path of least resistance appears to be a very sexist path.

    Except that this time, they’ve encountered a lot of resistance. A petition started by girl-power website A Mighty Girl has gathered 130,000 signers (and counting). The petition says:

    The redesign of Merida in advance of her official induction to the Disney Princess collection does a tremendous disservice to the millions of children for whom Merida is an empowering role model who speaks to girls’ capacity to be change agents in the world rather than just trophies to be admired. Moreover, by making her skinnier, sexier and more mature in appearance, you are sending a message to girls that the original, realistic, teenage-appearing version of Merida is inferior; that for girls and women to have value — to be recognized as true princesses — they must conform to a narrow definition of beauty.

    Disney seems to be taking note: As InsideTheMagic notes, the new Merida design has disappeared from the Disney Princess website, replaced by images of Merida as she appeared in the movie.

    One really unusual thing about this is that Merida’s creator, “Brave” writer and co-director Brenda Chapman has gone public with her unhappiness about the makeover, calling it “a blatantly sexist marketing move based on money.”

    I think it’s atrocious what they have done to Merida. When little girls say they like it because it’s more sparkly, that’s all fine and good but, subconsciously, they are soaking in the sexy ‘come hither’ look and the skinny aspect of the new version. It’s horrible! Merida was created to break that mold — to give young girls a better, stronger role model, a more attainable role model, something of substance, not just a pretty face that waits around for romance.

    They have been handed an opportunity on a silver platter to give their consumers something of more substance and quality — THAT WILL STILL SELL — and they have a total disregard for it in the name of their narrow minded view of what will make money. I forget that Disney’s goal is to make money without concern for integrity. Silly me.

    * * *

    Alyssa writes:

    To a certain extent, Disney’s attempts to democratize what it means to be a princess are admirable. You don’t actually have to be born into a royal title, or obtain one by marriage. [...] You don’t have to be white, or European, or in the case of Ariel, the star of The Little Mermaid, necessarily based on land.

    But two restrictions remain. You have to be young. You have to have a very particular body type and long, perfect hair. The edits to Merida reflect those priorities.[...]

    If it’s important that girls of color and girls of different economic classes be able to recognize themselves and find aspirational stories in the Disney Princess line, why shouldn’t it also matter that girls with wild hair and variable body types see themselves there too?

    Although I agree with Alyssa, it’s important to note that Merida’s body type, as seen in the movie, represents only the smallest of small departures from the Disney standard. Don’t get me wrong – I love the movie Brave, and I love the work Pixar did to present Merida as someone who delights in the things her body can do, rather than the way she looks.

    But the range between Merida’s body and face type, and that of the typical Disney princess, is pretty darn small. The top of my wish list for Disney princesses – even higher than my wish for a Jewish princess, already! – is that Disney, or Pixar, add a fat character to the princess line.

    More reading:

    Seriously, Disney, I’m Trying to Take a Little Break Here– MUST YOU? Peggy Orenstein points out that Merida’s makeover is actually part of what seems to be an ongoing project to make all the Disney princess characters more vapid than their movie versions.

    Disney’s makeover of its Brave princess is cowardly | Rhiannon Lucy Cosslett | Comment is free

    The Problem with Merida’s Princess Makeover

    officialgaiman 1:27a
    A giant TOUR catch up. Also, we wear the same boots.

    http://journal.neilgaiman.com/2013/05/a-giant-tour-catch-up-also-we-wear-same.html

    posted by Neil Gaiman
    I need to get back to blogging. Too many things are stacking up, and I'm paying attention over on Twitter and Tumblr and such, but not here, and really, this is still the most important place to check.

    Today I was interviewed by Lev Grossman (author of The Magicians) for Time Magazine about Ocean at the End of the Lane. Lev and I have been having a conversation about fantasy since he interviewed me about Stardust in 1998. (Although one time the conversation was a threesome with Joss Whedon.) Lev does not appear to have perceptibly aged in 15 years. I find this suspicious. Also, we were wearing the same boots.

    So, let's see.

    This comes out tomorrow, designed and made beautiful by Chip Kidd:


    Make Good Art (Amazon link. Indiebound link.) It's the anniversary of the original speech:



    Neil Gaiman Addresses the University of the Arts Class of 2012 from The University of the Arts (Phl) on Vimeo.

    I finished signing about 9000 sheets of paper, which will be sent to the printers and bound into 9000 copies of THE OCEAN AT THE END OF THE LANE.  They look like this. (When I got bored I drew ghosts.)


    If you are in the US you can pre-order them from PORTER SQUARE BOOKS:  http://www.portersquarebooks.com/pre-order-signed-copy-ocean-end-lane. If you preorder by May 20th you can get your book by publication day, June 18th. (If you preorder afterwards, they will still have signed copies, but you will probably not get yours by publication date.)

    When I was in Austin in March I recorded the Audiobook of The Ocean at the End of the Lane. It's just been reviewed at Audiophile magazine: http://www.audiofilemagazine.com/dbsearch/showreview.cfm?Num=77510

    "How long have you been 11 for?" That's just one of the mysteries in THE OCEAN AT THE END OF THE LANE, where otherworldly things might be strange but aren't in the least impossible. As the 7-year-old protagonist, Neil Gaiman projects all the wonders and terrors of childhood, both ordinary and extraordinary. His neighbors, 11-year-old Lettie, Mrs. Hempstock, and Old Mrs. Hempstock, have rural Sussex accents that get stronger when the things that they love and protect are threatened. Gaiman evokes the comforts of their farm lovingly--good food, a full moon that always shines on the back of the house just so--and they contrast with the coldly emotionless voice of the story's villain. Spooky, beautiful, and magical, OCEAN will stay with listeners for a long time. J.M.D. Winner of AudioFile Earphones Award 

    ...which makes me very happy indeed. I'm more nervous about the audiobooks than I am about anything else.


    ....TOUR NEWS....

    Right. We have a lot of sold-out tour dates. We have some that aren't yet sold out, and if you want to come and hear me talk and ask questions and get a book signed you might want to get your tickets very soon.

    NOT SOLD OUT YET: The Publication Day event is June 18th. It's in Brooklyn, at the Howard Gilman Music Hall. This should be really fun and special. Surprise guests, publication day madness, and the special jet lag of an author who did his last event the night before in the UK and got off the plane earlier that afternoon.

    http://www.bam.org/literary/2013/neil-gaiman

    Wednesday June 19th NYC - SOLD OUT. I THINK.

    Thursday June 20th - Saratoga Springs: NOT SOLD OUT YET (it's a big venue). The pre-signing interview will also be broadcast on NPR. http://www.northshire.com/event/shelf-authors-conversation-neil-gaiman-presenting-ocean-end-lane

    Friday June 21st, Washington DC. ALMOST SOLD OUT - a hundred or so seats left.  http://www.politics-prose.com/event/book/neil-gaiman-ocean-end-of-lane

    Saturday June 22nd Decatur GA. SOLD OUT.

    Sunday June 23rd Coral Gables (near Miami). It's an afternoon signing - starts at 2 pm. I think it may be my first ever signing in a shul. NOT SOLD OUT YET. http://www.booksandbooks.com/event/neil-gaiman-ocean-end-lane-temple-judea

    Monday June 24th Dallas TX. ONLY BALCONY SEATS LEFT. It's at the Dallas Museum of Art. I like the idea of bringing OCEAN home: I finished it and typed the first draft in a Dallas coffee shop.  http://dallasmuseumofart.org/Events/ArtsLettersLive/Special/index.htm

    Tuesday June 25th Denver, Tattered Cover. This is one of three stores whose tickets do not go onsale until publication day.

    Wednesday June 26th Phoenix Az.  ALMOST SOLD OUT. http://www.changinghands.com/neilgaiman

    Thursday June 27th. LOS ANGELES. I'll be talking with EW's Geoff Boucher. NOT YET SOLD OUT but selling fast and you may want to get in there, http://livetalksla.org/blog/2013/04/02/june-27-an-evening-with-neil-gaiman/

    FRIDAY JUNE 28th SAN FRANCISCO is SOLD OUT

    SAT JUNE 29 PORTLAND is SOLD OUT

    (Then I teach Clarion West for a week in Seattle, interrupted only by...)

    TUESDAY JULY 2 SEATTLE which is SOLD OUT

    SATURDAY JULY 6 SANTA ROSA isn't yet sold out.  If you're in the Bay Area and you are not happy about how fast San Francisco sold out, you should come to Santa Rosa. http://www.copperfieldsbooks.com/event/neil-gaiman

    Also at my request, the event start time has moved earlier in the evening, to 6:30pm as I was worried about how late it would go if it started at 8. (Sorry.)

    and then I fly across the country like a speeding teatray and the next time I touch solid ground it's

    Sunday July 7th and I'm in Ann Arbor, Mi.  It starts at 6pm. it is NOT SOLD OUT -- info at http://www.nicolasbooks.com/event/one-time-only-event-nicolas-books-brings-neil-gaiman-michigan-theater-ocean-end-lane-tour. (And if you are in the Chicago area and sad about the selling out of Chicago, you could hit the road and come and see me there.)

    Monday, July 8th, Edina MN. This is the Twin Cities stop, and I am hoping to see lots of the home crowd. Tickets/wristbands etc do not go on sale until publication date, June 18th. http://store-locator.barnesandnoble.com/event/79661 is the B&N website, but it doesn't have much information -- there's more on everything at http://www.neilgaiman.com/where/details.php?id=149

    Tuesday July 9th Chicago - this is SOLD OUT I'm afraid.

    Wednesday July 10th Nashville TN -- this one is selling well, but it isn't sold out yet. http://www.wmarocks.com/events/detail/neil-gaiman-war-memorial?perf-no=4009

    Thursday July 11th Lexington KY  -- It's at Joseph Beth (a wonderful bookshop). Not sure how close to sold out they are -- Tickets are "Purchase at Joseph-Beth Lexington or via 859-273-2911"

    And then I get my first day off! I fly back to Cambridge,  I sleep in my own bed for the first time in over a month, and then...

    Saturday 13th July I do the last signing of the tour. It's sponsored by Porter Square Books (who are selling the pre-signed books as well) and tickets are going on sale on publication day, June 18th, and can only be picked up locally. Information at http://www.neilgaiman.com/where/details.php?id=153


    Then there will be three Canadian signings, which have not yet been announced.

    And of the UK events coming up in August, the only one that's been announced is:

    Tuesday 20th of August, when I'll be in Ely Cathedral. And I think that one is going to be fun....  http://www.toppingbooks.co.uk/events/ely/neil-gaiman-2/








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    Monday, May 13th, 2013
    dieselsweet 12:26a
    Saturday, May 11th, 2013
    ellen_kushner
    3:47p
    Defining Fantasy of Manners
    Someone just asked, and here's what I wrote back:

    Fantasy of Manners refers to work with its roots in the social comedy of writers like Richard Brinsley Sheridan, Jane Austen, Oscar Wilde and Georgette Heyer, rather than the heroic and mythic tales that inspired J.R.R. Tolkien and his followers.  It is usually, though not always, urban rather than rural.


    There is, of course, a lot more I could say on the subject - I was, after all, Present at the Creation (of the Theory & Nomenclature, not just the lit. - and I hope someday some grad student does right by us all.  I am willing to serve if called.

    But I like what I wrote, in part because it has a certain Barbara Ninde Byfield air.
    robynneblume
    10:29a
    Community Season Four
    It's over, now. The last episode was shown last night, and opinions are divided. No one thinks the finale lives up to the standards of previous Community seasons, but compared to the rest of this season, some think it's decent, some think it's terrible, and I happen to think that it was great.

    But rather than going in-depth about this one episode, I want to talk about Season Four as a whole. Regardless of which individual episodes a person happens to like/dislike, no one can deny that the new creative team in charge of Community delivered a product that is markedly worse than what came before. I'd like to take a look at why that is.

    Massive spoilers ahead. Read at your own risk.

    I'm tempted to say that anyone who wants to keep watching Community after Season Three should just watch the first and last episodes of Season Four. Nothing that happens between is particularly memorable, or as good as it will be in one's imagination. Except... maybe it's worth it to watch "Basic Human Anatomy," and if we're gonna throw that one in we might as well go for "Herstory of Dance" while we're at it. (Note: "Herstory of Dance" comes before "Basic Human Anatomy" so it should be viewed first... oh, who am I kidding, there are no consequences to anything in Season Four so the order doesn't make a bit of difference.)  But let's say you didn't listen to my advice and watch only a select few episodes of this season. Let's suppose you, like me, watched every episode of this season. What was that experience like?

    The season started out auspiciously enough. "History 101" was a decent episode, different and not as brilliant as Community past, but with its own charms and merits. It sets up the season arc of Jeff's graduation (which, really, could've been handled fine and felt more in-character if it was just everybody's graduation, but that particular story arc was harmless enough that I won't waste time criticizing it), it had some fun with Abed and went meta, and it gave us "American Sword Cooks" and "Greendale Babies."

    The next episode, "Paranormal Parentage," was mediocre. There were some problems, and a few good moments, but when you've had Halloween episodes where everyone turned into zombies and everyone tried to one-up everyone else with scary stories, it's going to be hard to do a Halloween episode that stands out. Hell, I barely remember the Halloween episode from Season One, and that was a perfectly fine episode, it just got overshadowed.

    "Conventions of Space and Time" is the first episode of the season that I think illustrates the disconnect between the showrunners and the substance that made Community what it was for three years. My opinion of this one is not as harsh as some others'. There's stuff in this episode that I like. The main problem is that nothing big or important happened. It was fun seeing an Inspector Spacetime convention, and there were a couple of interesting plots, but nothing amounted to much. And, damningly, it was all forgotten by the next episode.

    My biggest problem with Season Four is that NOTHING HAS ANY CONSEQUENCES.

    I actually like "Alternate History of the German Invasion" quite a lot. It's one that I've read mixed opinions on, and I have some problems with it (everything is resolved at the end of the episode and it's like "Well, we can forget that lesson now!" so again there are NO CONSEQUENCES) but I enjoyed seeing the self-centeredness of the study group acknowledged. This episode illustrated what a crazy place Greendale is, with the group getting so caught up in the bizarre shenanigans associated with their college that they forgot the ordinary business of going to classes and taking tests. It was a bit awkwardly structured, but I thought it had things to offer.

    I've already written about "Cooperative Escapism in Familial Relations" at length, so I won't bother rehashing my analysis. Suffice to say: Worst. Episode. Ever.

    Until the last scene, I thought "Advanced Documentary Filmmaking" was okay. It's not great, and if anyone lambastes it I won't argue, but I didn't have any major problems with it... up until that last scene, which I already acknowledged in that post about "Cooperative Escapism in Familial Relations." Basically, if the story hadn't committed at that point to Chang still being Chang, and had left the audience wondering, it would have been much, much better.

    "Economics of Marine Biology" was terrible. Not only were there no consequences to anything, there was never any reason to expect that there would be any consequences to anything. None of the main characters had any reason to care about the main conflict of the episode, and it was clearly just a minor issue that would be forgotten next week, and it wasn't very entertaining and there was nothing about it that was surprising or unusual. It was a sitcom formula episode and nothing more. If you only skip one episode this season, make it "Economics of Marine Biology." It's not as bad as "Cooperative Escapism in Familial Relations" but it's also not as worth watching.

    If Community still had brilliant leadership, "Herstory of Dance" would have been magnificent. All the elements were there to make a great episode, they just didn't come together. But I liked it anyway. The A plot was mostly forgettable, but the B plot, with Abed trying to pull off the two-dates-in-one-night trope and enlisting the help of a woman who of course is perfect for him and whom he of course fails to take notice of until of course he messes things up with her and of course he makes a romantic gesture at the last moment and she comes back to him... that was wonderful. Even in the hands of an inadequate creative team, I couldn't help but love that story. And again, the main problem is that there are NO CONSEQUENCES -- this woman never shows up again! Never! What's the deal with her and Abed? Are they dating? Do they just forget about each other? Do they become friends, even if they don't wind up working out as boyfriend/girlfriend? It's never addressed! ARGH, way to drop my favorite potential storyline of the season, guys.

    When if comes to "Intro to Felt Surrogacy," I think I'm just about the only one who actively dislikes it. And I get why people might overlook its flaws. There are puppets! Everyone's singing! But... oh god this one feels hollow to me. There are puppets, but there's no reason for the puppets. The episode doesn't work any better because there are puppets than it would work without the puppets. As I was watching it I kept thinking of "Abed's Uncontrollable Christmas," where the stop-motion animation was an integral part of the story and the story would not have worked without it. And then I thought about John Oliver, who is awesome, and who played recurring character Ian Duncan in the first two seasons of Community, and how much better the show was back then. And then Jeff said something like "We haven't seen Professor Duncan in a while" and I thought "Dammit Community why are you ACTIVELY REMINDING ME of your current shortcomings?!" Another point against this one is how awkwardly the Pierce issue was written around, because Chevy Chase had left and wasn't around for filming this one. But his puppet was there, and then he wasn't there, and it was all confusing and weird. (I basically didn't at all enjoy any of the ways they handled Pierce not being around. There were better ways to deal with it.)

    I pretty much have nothing to say about "Intro to Knots." At that point I was numb to the mediocrity of new Community. This one is totally skippable, but there's nothing terribly wrong with it I guess.

    "Basic Human Anatomy" gets an A for effort. I didn't really enjoy the first part of the episode, but when it got to the emotional heart of the story, with Troy being unable to express himself when he knows it will hurt those around him and using Abed as a means of not fighting his own emotional battles, it was strong. I love Troy and Abed, and I love that their connection is so strong that one of them can exactly gauge the others needs and fears. This episode is one of the strongest of the season. It has lots of problems, but the idea at its core stands tall.

    I don't like "Heroic Origins," though from what I've heard most people do. By the time I saw it I was so set against new Community that I couldn't see the good things because I was so focused on finding the bad. Going into the characters' history and tying everything together really bothered me. It struck me as odd that Britta would change her hairstyle so radically and get rid of her nose piercing before starting community college. It seems like these people would have recognized each other if they'd all gotten frozen yogurt in the same place at the same time and then a few weeks later they formed a Spanish study group. (I say this secure in the knowledge that I wouldn't recognize someone in that situation, but aside from Abed none of these characters have prosopagnosia.) This episode felt forced and uncomfortable to me, but I acknowledge that this might not be a fair assessment.

    "Advanced Introduction to Finality," as I've already acknowledged, is divisive. I loved it, a lot of people hated it. I can definitely understand why people have problems with this one. The most common complaint, though, is one that I have a hard time sympathizing with. People seem upset by the revelation that it was all a dream... which is bullshit, because there's NO WAY the events of this episode could possibly NOT be a  dream. Things like this don't happen in the world of Community. From the first appearance of Evil Jeff, the whole thing is clearly all just a dream. (Or more accurately, all just an imagining.) So if the revelation that it's a dream were to suck the enjoyment out of this episode, then the enjoyment would be sucked out of this episode from the word "Go." This was not as good as Jeff's graduation should have been, but it was better than almost everything that had come earlier in Season Four, because it was different. And yes, it was pandering to the fans, but come on, if they can't give me good, compelling and challenging stories, the least they can do is pander to me.

    There's one thing I haven't mentioned except in the one episode where it was the focus: The Chang story arc. The thing with the Chang story arc is that it went NOWHERE. I mean it. Chang barely appears in "Advanced Introduction to Finality." And this is really confusing, because in the previous episode he was plotting with the Dean of City College and they were clearly nearing the final stages of a plan to destroy Greendale. And I don't actually want a story about Chang and the City College Dean destroying Greendale, but I also really don't want to be told a story in which characters say they're going to do something and then they just never get around to doing that thing.

    I really think that the showrunners had a story planned out with Chang's evil plan, and then they just abandoned it halfway through production, but then they never removed all the material from that story in the episodes that were already written/filmed/whatever stage of production they were in. This is almost, but not quite, as bad as the remake of The Stepford Wives when it's revealed that actually the women aren't robots but that doesn't make any sense because how can a biological woman be an ATM and why are there so many actual robots in Stepford?

    This season would have been improved by removing Chang altogether, because his character was used almost exclusively to set up plot developments that never actually happened.

    I'll admit that I laughed my ass off at "Hello my name is Kevin, I have Changnesia" at the end of "History 101," but aside from that one moment of hilarity, Chang was completely wasted this season. My complaints about making the season revolve around Chang were unfounded, it turns out, because Change was completely superfluous to the season.

    Yet again, NOTHING HAD ANY CONSEQUENCES! I keep coming back to that because it keeps bothering me. I want events to matter. Characters' actions and decisions need to make a difference in their lives. People change and grow and past mistakes come back to haunt them and past kindnesses come back to help them and things that they've forgotten about still make a difference in their lives and Community used to be so good at that but now we can have an evil plan at the end of one episode and then it never comes to fruition or is even mentioned again even though the next episode is the season finale.

    *deep breath*

    Community has been renewed for a fifth season. I pretty much wish it hadn't, because I'm pretty sure it's just going to keep getting worse but I can't imagine not watching it. I'm just standing by as the decaying zombie corpse of my best friend slowly decays and tries to keep doing the things it used to do and it's the saddest display I've ever seen but I can't bring myself to look away.

    There is one way that Season Five could be saved, and it's not going to happen: Dan Harmon would have to come back. If Dan Harmon took over the show again, then all would be right with the world. Chevy Chase isn't around to have fights with him anymore. He could take the show in the direction it needs to go in, whatever that is.

    And, Dan Harmon: If you did take over Community again and if you started Season Five with Jeff or Abed or Shirley waking up and saying "What a weird dream" before going to the study room to meet the others and it turns out Season Four never really happened at all... Let me just say that, as terrible a plot device as that is, I would forgive you. Because as much as consequences matter to me, Community is probably best served if Season Four is completely written off and forgotten.

    Never have I been so angry about knowing there will be another season of one of my favorite TV shows.
    ellen_kushner
    1:13p
    French traditional ballad of the "Criminal's Last Good Night" variety?
    To my amis français & Francophone friends: My short story "'A Wild and a Wicked Youth'" is being translated by the inestimable Patrick Marcel for wonderful André-François Ruaud's  periodical book/magazine, *Fiction.* The title is a quote from a traditional English ballad (as sung by Waterson:Carthy) - a "Criminal's Last Good Night" genre piece.

    Is there any French equivalent that we can use for the title in French?
    For those interested in reading below the fold, here's my original intro:
        'This story came to me in a flash in the darkness of a Waterson/Carthy concert last year, when the English folk artists let fly with their awesome rendition of the traditional outlaw ballad, "Newry Town" (also known as "The Newry Highwayman"): A young man, clearly a nice boy, "turns out to be a roving blade" and comes to a bad end while his mother cries, and everyone agrees, "There goes a wild and a wicked youth."
      'While the song's plotline does not really match my story's, it got me on the right path. I'd been wanting for a long time to write about the early life of Richard St. Vier, the gifted swordsman in my first novel, Swordspoint: a Melodrama of Manners. I've always known who Richard's mother was, and how he learned to fight; but it occurred to me that nobody else did, and it was time to get it down on paper.'

    The lyrics & background to the song are here.

    My original posts about the short story are here.

    I've also posted this query on my Facebook page.
    Thursday, May 9th, 2013
    robynneblume
    2:54p
    Finally, somebody GETS IT
    A new post went up on Hyperbole and a Half today. Over a year ago, the author posted about being depressed, and the blog's been sitting idle since then. Today, she gave us the continuation, and she goes into much more detail describing her depression and how it feels. And this is the single best description of depression that I've ever read in my life.

    The timing on this seems apropos, considering that just on Monday I posted something about my own depression. Let me be clear: What I was experiencing on Monday was mild and not really worth paying attention to. I have, and expect I will have again, far worse and longer-lasting bouts of depression than I've had this week. I just think it's a bit interesting that, having talked to you about depression recently, I'm now going to talk to you about depression.

    Depression is hard to express clearly. There are lots of contributing factors to that: When you're depressed, you don't have the will to clearly express yourself to others, and when you're not depressed it's hard to remember exactly what it felt like, and besides you don't really want to. But one of the largest factors, and it's one that I've never really heard anyone else discuss (before today), is that expressing exactly what you feel when you're depressed makes you sound like a jerk.

    I'm using the pronoun "you" here, though that's probably not really appropriate since I only know for certain what I've felt and can't speak to others' experiences.

    There are things expressed in Hyperbole and a Half that I've never been able to say because I couldn't put them tactfully. Things about not caring at all about anything, including the people who keep letting me know how much they care about me. Things like "wishing that nothing loved me so I wouldn't feel obligated to keep existing."

    Really, as I read the post I kept going "Yes! ...And, Yes! ... And, YES!" I know what it's like to do things I used to love and find that I just can't make myself enjoy them. I know what it's like to not know how to deal with all the Feelings other people are having at you. I know what it's like to have people Just Not Understand. (The dead fish metaphor is BRILLIANT.) There was one time I was telling my dad that there just wasn't anything I thought was worth living for, and he tried to counter that by talking about my as-yet-unborn nephew, and I was in the position of having to explain that no, family and children and love WEREN'T worth living for, and I felt like a monster.

    My experiences aren't exactly the same as the Hyperbole and a Half author's, but then I don't think any two people have ever had EXACTLY the same experience with depression. But I think that the more people realize what commonalities their experiences have, the more we as a culture can grow in understanding and acceptance of one another. And I think that starts with talking about the things we don't want to talk about, the things that we keep hidden because it seems like no one would understand.

    It might turn out that more people understand than you would have thought.
    Tuesday, May 7th, 2013
    dieselsweet 11:54p
    dieselsweet 11:50p
    New Shirts From Warren & Ariana & Me

    http://store.dieselsweeties.com/collections/t-shirts

    I have a couple great t-shirt announcements for you:

    warren ellis shirts

    warren ellis shirts

    First! I've got a couple new designs from posthuman wunderkinds Warren Ellis and Ariana. Science Gangster and Baconcoin are both up for preorder now. I hope to do more shirts with these two delightful droids.

    I'm also doing a one-week reprint of an old favorite, the "I'm Not Unemployed. I'm NSFW." Shirt. (NSFW)

    not unemployed, NSFW shirt



    Monday, May 6th, 2013
    robynneblume
    10:24p
    Here's What Today Was Like
    I was depressed today. Nothing happened today that made me depressed, I'm just processing stuff that's been happening lately and being depressed isn't exactly an unusual state for me. Normally I don't write about depression online because I don't like making permanent records of my emotional turmoil. But I want to talk about something that I realized as I was being depressed.

    Because I was depressed, I didn't feel like doing anything. I've got tons of stuff I need to do, and tons more stuff I want to do (or, you know, stuff I want to have done), but I didn't feel like doing any of it. I didn't want to do anything. But there were 5 things that had to be done by the end of today.

    Only...

    I realized that I didn't have to do all those things today. I didn't have to do any of those things today. A couple would need to be done tomorrow at the latest, but the idea that I had to get them done today? That came from me. Nobody else would be disappointed if I didn't get them done. It was an arbitrary deadline, and since I was the one who had set it, I could feel free to change it.

    Suddenly it was okay to just lie around being depressed for a while. I didn't have to add feelings of stress and guilt on top of what I was already feeling, because there was no external source. All I had to do was decide that it was okay to get things done later than I'd initially planned, and a load was taken off my shoulders.

    This probably sounds awful to people who are aware of my issues with procrastination, but healthy time management requires more than just getting things done early, it also involves not driving yourself crazy with strict rules that cause more anxiety than they help to prevent.
    dieselsweet 11:30p
    dieselsweet 12:27a
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